The collection is characterised by the extreme purity of the volumes, whose lineal profiles define a solid that has been partially deconstructed and carved out.

This subtle gesture of subtraction results in a very strong impact, thanks to the curvature of the base defining a space which alters the visual perception of the objects.

The ‘Void’ series originates as an investigation of form in relation to the architectural notions of mass and emptiness.

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